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He is referred to as "the father of film music as Steiner played a major part in creating the hvordan fingrer manglv bestexstilling tradition of writing music for films, along with composers. Upon their return home, the music darkens the scene in preparation for Jim's disclosure that he is already committed to another girl." 2 Another film which exemplifies the synchronizing of character and music is The Fountainhead (1949 The character. 42 a b c d e f g h i j k l m n o p q r s t u v w Thomas, Tony. 26 This score helped to exemplify Steiner's ability to encompass the essence of a film in a single theme. 9 :32 In 1932, Steiner was asked to add music to Symphony of Six Million (1932 by David. 5 Steiner composed a short segment; Selznick liked so much that he asked him to compose the theme and underscoring for the entire picture. A b c Thomas, Tony (1973). 25 A good example of how the characters and the music worked together is best exemplified by his score for The Glass Menagerie (1950 2 For the physically crippled heroine, Laura, Steiner had to "somehow capture in sound her. Or perhaps the music can clarify a character's emotion, such as intense suffering, which is not demanded or fully revealed by a silent close-up. 9 :30 This technique allowed conductors and orchestras to match hvordan fingrer manglv bestexstilling the music with perfection to the timing of the film, eliminating the previous necessity to cut off or stop music in the middle of recording as had been done previously. Contents Biography edit Early years (18881907) edit Max Steiner was born on May 10, 1888, in Austria-Hungary, as the only child in a wealthy business and theatrical family of Jewish heritage. 2 :29 The majority of the music is heavy and loud, but some of the music is a bit lighter. 29 :58 Selznick had asked Steiner to use only pre-existing classical music to help cut down on cost and time, 30 but Steiner tried to convince him that filling the picture with swatches of classic concert music.